10000 gestures
Choreography: Boris Charmatz

For 10000 gestes, I envision a choreographic forest in which no dancer ever repeats any of the gestures, each of which will be shown only once and will vanish as soon as it has been executed, like an ode to the impermanence of the art of dance. This shower of movements, which could have been a data project generated by lists of digital parameters, will be instead generated in an artisanal way, using the very bodies of the performers, in an absolutely subjective way. The visual hypnosis exerted by the explosion of movements will have a corresponding meditative, or even melancholic, aspect: the "gift" of movements doomed to symbolic disappearance.
This idea came to me as I was watching the "permanent" version of Levée des conflits, danced at MoMA: in Levée des conflits, we construct a sculpture that aims at immobility, but which is animated by a crowd of dancers who ensure a permanent presence of movement maintained through its indefinite transmission. In 10000 gestes, by contrast, it is the ephemeral taken to the extreme that engenders the gaze and the thought of the spectator. The chaos of expenditure is so perfect that it vergers on immobility.
In line with other projects of the Musée de la danse, 10000 gestes constitutes a choreographic anti-museum aiming to explore the means of escaping the instinct and the strategies of preservation at work in the activity of a dancer... It will be matter of exploring the possibility that one gesture is never completed by another, and that, if 1, 2, 3, 4, 5, 6, 7, 8, or 25 dancers come in contact, each still executes a gesture distinguished from those of others through the exclusion of any symmetrical movement: in this piece, it is impossible to shake someone’s hand. The collection thus constituted is also an anti-collection, since no choreographer worthy of the name would risk incorporating 10000 gestes in his or her score, and this totality cannot be comprehended other than by the idea that generated it.

Boris Charmatz

Running time: 1h

Interprétation :

with alternately Or Avishay, Régis Badel, Jayson Batut, Nadia Beugré, Alina Bilokon, Nuno Bizarro, Guilhem Chatir, Ashley Chen, Eli Cohen, Konan Dayot, Olga Dukhovna, Sidonie Duret, Bryana Fritz, Julien Gallée-Ferré, Kerem Gelebek, Alexis Hedouin, Rémy Héritier, Pierrick Jacquart, Tatiana Julien, Noémie Langevin, Samuel Lefeuvre, Johanna Elisa Lemke, François Malbranque, Noé Pellencin, Mathilde Plateau, Samuel Planas, Solène Wachter, Frank Willens

dancers at the premiere :
Djino Alolo Sabin, Salka Ardal Rosengren, Or Avishay, Régis Badel, Jayson Batut, Nadia Beugré, Alina Bilokon, Nuno Bizarro, Mathieu Burner, Dimitri Chamblas, Ashley Chen, Konan Dayot, Olga Dukhovna, Sidonie Duret, Bryana Fritz, Julien Gallée-Ferré, Kerem Gelebek, Alexis Hedouin, Rémy Héritier, Tatiana Julien, Samuel Lefeuvre, Johanna-Elisa Lemke, Noé Pellencin, Maud Le Pladec, Solene Wachter, Frank Willens

Choreographic assistant: Magali Caillet-Gajan
Lights: Yves Godin
Costumes: Jean-Paul Lespagnard
Vocal work: Dalila Khatir
General stage manager: Fabrice Le Fur
Sound : Olivier Renouf
Dresser: Marion Régnier
Production direction: Martina Hochmuth, Hélène Joly
Production assistants: Florentine Busson, Briac Geffrault
Sound material: Requiem in D minor K.626 by Wolfgang Amadeus Mozart (1756–1791), performed by the Wiener Philharmoniker conducted by Herbert von Karajan and recorded at the Wiener Musikverein in 1986 (1987 Polydor International GmbH, Hamburg); field recordings by Mathieu Morel in Mayfield, Manchester

Production / distribution: Terrain
A production Musée de la danse / Centre chorégraphique national de Rennes et de Bretagne (2017)
Coproduction: Volksbühne Berlin, Manchester International Festival (MIF), Théâtre National de Bretagne-Rennes, Festival d’Automne à Paris, Chaillot - Théâtre national de la Danse (Paris), Wiener Festwochen, Sadler’s Wells London, Taipei Performing Arts Center
Thanks to: Amélie-Anne Chapelain, Julie Cunningham, Mani Mungai, Jolie Ngemi, Sandra Neuveut, Marlène Saldana, Le Triangle – cité de la danse, Charleroi Danses - Centre chorégraphique de la Fédération Wallonie-Bruxelles, P.A.R.T.S., Archivio Alighiero Boetti and Fondazione Alighiero e Boetti ; Chiara Oliveri Bertola / Castello di Rivoli Museo d’Arte Contemporanea

10000 gestes premiered on September Thursday 14, Friday 15, Saturday 16, Sunday 17 2017 Volksbühne, Tempelhof, Berlin, Germany

Cover picture: © Tristram Kenton / 10000 gestes - MIF, 2017

  • 10000 Gestures / Boris Charmatz (trailer, MIF 2017)
    © Musée de la danse

  • On tour:

    Jeudi 17 octobre – L’Arsenal, cité musicale de Metz in Metz (France)
    Du 20 au 21 mars – Maillon, Théâtre de Strasbourg - Scène européenne in Strasbourg (France)
    Du 8 au 9 mars – Théâtre de la ville de Luxembourg in (Luxembourg)
    Samedi 24 juin 2023 – Le Corum - Montpellier Danse in Montpellier (France)